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宫崎骏:自然之魂4.0

类型:纪录片 记录  法国  2024 

主演:宫崎骏 铃木敏夫 宫崎吾朗 米林宏昌 Philippe Descola 

导演:利奥·法维耶 

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情节回顾

For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

观众心声

网友点评 · 222 人参与讨论
ofelia11

人与自然,万物有灵。中规中矩的西方视角对宫崎骏动画作品的解读。有意思的一点,本片大量采访全新一手,除了宫崎骏本人,来自以前的影像资料。另,宫崎吾朗对着镜头侃侃而谈,比当动画导演有能多了。

2025-10-15 有用 0
kiki204629

法国人眼中的宫崎骏。

2025-10-03 有用 0
||Outsider〝

电影本身拍得中规中矩,没什么特别的亮点。但只是借此机会聊聊关于宫崎骏和吉卜力的事情。虽然宫崎骏自己曾经说反复看他的电影是浪费时间,但一来这个老头自己说的话也不能当真,二来孩子的眼光真的看不到很多他作为一个老头子去创作的时候投入的东西。宫崎骏自己从来不是一个简单的自然主义者(即使是风之谷的时代的宫崎骏也不是),但是孩子们能认识到环保的这一层已经很了不起了,这是宫崎骏的电影至少需要以某种形式被回去重新欣赏过的原因。他用前半段电影人生探索人与自然之间关系的解决方案,得到的确实一个无解的结论,到最后发现只能求诸己,并借此对年轻人做出呼吁,这即使在他个人层面来说也是一出美丽的悲剧。有趣的是高畑勋打一开始就没有打算用瑰丽的幻想作为自己对于社会思考的支撑,我想这也是宫崎骏欣赏他的一个重要原因。

2025-07-29 有用 0
刺猬与鸢尾

挺入门的介绍片,每部片的制作背景。不过竟然请到了Descola…看到动画的时候还是很感动,更想去美术馆和主题乐园了!

2025-09-21 有用 0
一千零一夜

过于简约浅显,而且还短,7分吧。

2025-09-30 有用 0

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