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情节摘要
"Dr. Cyclops" is known as one of the better "early sci-fi" films, made in ལ and released in 1940. (It is also in color.) But while the story has potential and there are some good moments, this is a very confused film.
The plot is simple - crazy mad scientist on some remote island can shrink animals, and wants to try it on humans. He manages this on a scientific team that came to check things out. They get angry, and the crazy scientist eventually gets really angry because his new shrunken subjects won't cooperate.
The thing is, the film doesn't seem to know if it wants to be a thriller, or a goofy movie. Dr. Cyclops (never called that but referenced to a Cyclops after one lens in his glasses breaks) looks cool in his "30's style sci-fi helmet" as he performs experiments and can be chilling at times. But there is so much "Disney-style goofy music" going on that it is hard to take anything seriously. The music belongs in a family comedy for the most part, and is played when the shrunken people do things like try to survive, and creep around the floor. Add that a few of them have pretty gruesome deaths and that just adds to the confusing atmosphere.
The FX aren't so bad but nothing special. The giant sets built are pretty impressive though. There is a scene where little fires are tossed at a real crocodile's head which probably made animal activists angry.
It also takes a long time for anything to really happen. This movie could have been done in a nice tight half-hour. Good for a viewing, but you probably won't watch again. The performance of the guy who plays Dr. Cyclops is definitely the main attraction.
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观众心声
大奇特说得对，流水线式逃亡剧情平庸寡淡，本质更像技术电影。平心而论，特效按照当年的标准来看确实蛮逼真，比例虽然算不上精确但至少没太违和。最让人印象深刻的是Dr. Cyclops用手抓住老教授然后用镊子夹着碎布将其捂死的场景。这个年代的电影大概因为正处于科技爆发式发展的时期，所以探讨科技危害及科技与人性间关系的题材不少，本片中的镭辐射则似乎是恐核情绪的体现。
特技型的动漫片。。胶片色彩很正
近视眼的悲哀：40年竟然就能把景布得这么好了！不过这个在幽默与紧张之间不断徘徊的作品有一个不小的缺点，一共才一个小时出头的时间，竟然花了半个小时才进入紧张的状态。
剧情讲真没啥意思，但40年能做出这样的效果真的很厉害
先看了《不可思议的收缩人》，所以它很容易会被联想比较。作为相同题材，收缩人少有地展现出了深度，除了视觉的猎奇，人物生理和心理的变化和影响都表现得很细腻。独眼博士则在这些方面就显得平平了，如果就此评价必定难有高分，然而从技术方面来说，这部却是同类题材中不折不扣的杰作，早于黑白收缩人17年，又是1940年的特艺彩色电影，使得它细节表现更佳。道具上，放大后的物体，无论是无生命的各种山石、自然环境或是建筑和摆设，还是有生命的植物或是动物都栩栩如生，比例逼真。摄影上，利用前景和手绘后景；或者银幕后景，再结合大小道具，技巧极高，令人惊叹。表演平庸，但是在高水准的道具和摄影配合下，卖力的上下攀爬和左右腾挪，充实了真实质感，弥补了缺憾，而这种真实质感正是现今那些虚浮的CGI无法比拟的。
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