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剧情摘要
After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette.
“With NOROÎT, Jacques Rivette has joined Federico Fellini as one of the great autobiographical surrealists of the cinema” (John Hughes). Based on the bloody Jacobean play, “The Revenger's Tragedy,” and influenced by samurai films, Fritz Lang, and Samuel Fuller, NOROÎT was shot in a fifteenth-century chateau and a twelfth-century seaside fortress, and stars Geraldine Chaplin as the ghostly Morag, out to avenge the death of her brother who was murdered by a group of women pirates. With its emphasis on ritual, fantasy, and spectacle, “NOROÎT contains the most beautiful images and sounds of any Rivette film” (Jonathan Rosenbaum, Sight Sound ).
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观众心声
生者与亡者的界限不明，幻象与现实处于同等境地，于是亡者复生，“今夜我有两条命”。在《决斗》中，Leni和Viva约定"Beneath the Tree of the North-west Winds, I will wait for you"，共享的世界观此刻出现在布列塔尼。身体的运动塑造了新的规则。日月之光也随心灵的变化转圜。削减了标识情节的台词，理所应当风、鸟鸣、乐声、浪潮、光线、旋舞、碰撞成为真正的主角。
鼓捣形式什么的真没意思
感觉里维特在探讨某种身体机器的概念，在情景，角色的转换下，言语归于沉默身体交给纯然的遭遇。即使粗略地将故事概述为隐秘的复仇，依然在任意场景生产出新的褶皱重新消匿于明月的盈缺中（395）
摄影机的运动和配乐起伏都随人物情感和气氛流动而移动
第一个镜头，从海浪摇过礁石，古堡后正好是一轮太阳，然后摇到诺娃。舞台上的电影，就像是《out 1》里的剧目正式上演，演员们穿上了戏服，用上了可以用的道具，即使是中世纪的古堡也有机关枪，大家如正剧般不怒自威。摄影机与这些人隔着舞台的风暴，凝聚起对方的张力，一种濒临决斗的张力。所有属于戏剧的假象都展示在银幕前，而人物却更加强烈，就像海盗们荡着吊绳，故事的日常就是危险的游戏，舞台一侧的乐手们也是演员，他们表演命运诡谲的意思。就像以瞳孔直对天上月轮，正在上演的情节，对着其中的戏中戏，“今夜我有两条命。”
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